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Christian Teresti, Jason Schneiderman, and Denise Low: Poetry Night Panel
| Location | 1324 4th St NE Washington, DC 20002 |
|---|---|
| Date | Saturday, October 19, 2024 at 6:00pm - 7:00pm |
| Duration | 1 hours |
| Link | https://www.politics-prose.com/poetry-panel |
| RSVP on Facebook | |
| Repeats? | No |
| Details |
Stand astonished at a painting, venerate the mugshot of a poet, riff on a comedian's quip, and recall a mentor persevering through grief. Speak of headhunters, of word origins, of saints and gods stitched into a newfound pantheon, of the multiverse as a source of reincarnation. Visit ancient cities, national parks, a sundry of gardens, and the ruins of a farmhouse. A teacher fails to help a student. A student explains war to her teacher. Seize back the forgotten. Kneel to not knowing. Interrogate ecology and injustice through shifting landscapes and know What Monsters You Make of Them. Christian Teresi is a poet, essayist, and translator whose work has been published in many journals, including AGNI, the American Poetry Review, Blackbird, the Kenyon Review, the Literary Review, Literary Hub, Narrative, and Subtropics. What Monsters You Make of Them is his first collection. His work has been supported by a fellowship from the DC Commission on the Arts and Humanities. He holds degrees from Binghamton University and George Mason University. Born in Albany, New York, he currently lives in Washington, DC, where he works on international education and public diplomacy initiatives. Following up on his landmark collection Hold Me Tight, Jason Schneiderman extends his personal and historical explorations in Self Portrait of Icarus as a Country on Fire. Schneiderman's signature sense of humor works as a connective tissue across the book, even as the juxtapositions become more unlikely (Kafka and Hillary Clinton?), the historical scope becomes wider, and the personal revelations cut deeper than ever before. These poems represent Schneiderman's most direct and explicit exploration of Jewish heritage and history, bringing to the surface a theme that has often been missed in his work. The strength of these poems is in their power to trace the wound as a form of healing, to confront the agonizing in order to make way for joy and, yes, love. Jason Schneiderman is the author of five poetry collections and the editor of the anthology Queer: A Reader for Writers (Oxford UP 2016). His poems and essays have appeared in numerous journals and anthologies. His awards include the Emily Dickinson Award, the Shestack Award, and a Fulbright Fellowship. He is a longtime cohost of the podcast Painted Bride Quarterly Slush Pile and has guest hosted American Public Media's The Slowdown. He is a professor of English at the Borough of Manhattan Community College and teaches in the MFA Program for Writers at Warren Wilson. He lives in New York City. An innovative collection of archival poetry, House of Grace, House of Blood weaves images and documents from the 1782 massacre of pacifist Delawares in Gnadenhutten, Ohio into poems that explore contradictions: settler colonists and Indigenous people; violence and reconciliation; body and spirit; history and silence. Ultimately, these poems not only reconstruct an important historical event, but they also put pressure on the archive, asking us to question not only what is remembered, but how history is remembered--and who is forgotten from it. Denise Low, former Kansas Poet Laureate, is on the board of Indigenous Nations Poets. Her recent books are The Turtle's Beating Heart: One Family's Story of Lenape Survival, Jigsaw Puzzling and A Casino Bestiary. She taught at Haskell Indian Nations University for twenty-five years. This event is free with first come, first serve seating. |
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